Last month, Charisma posted and edited an article by Alan Chambers of Exodus International that he has since disavowed about the “gaying of the United States.” Now Charisma has posted an article by Louis Sheldon, the founder of the Traditional Values Coalition entitled “The Plan for a Gay (Domi) Nation,” where he lamented that young evangelicals Christians have become more open to gay rights and don’t see homosexuality and the Christian faith as incompatible. He also warned that the gay community is using shows like Glee to “desensitize Americans to the genuine risks of the homosexual agenda.”
Last year alumni from Wheaton College—what used to be the heart of conservative evangelicalism—made headlines for forming an organization to not only support the gay community, but also to promote the belief that homosexuality and Christianity are compatible. As on Christian college campuses throughout the United States, they have once again succeeded in convincing believers that Jesus’ command to “love your neighbor” means turning a blind eye to what the Bible explicitly calls an “abomination.”
“They” aren’t just Wheaton alumni or those who have formed similar groups—both official and unofficial—at Baylor, Harding, Samford, Seattle Pacific and a host of other universities and colleges. They would be the activists who have masterfully driven the gay agenda for more than 30 years and, with remarkable success and precision, changed our nation’s cultural mindset on homosexuality.
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From kindergartens to city councils to churches to the Supreme Court, the mainstreaming of homosexuality has reshaped everything in America. And one of the most powerful vehicles by which the gay agenda has accomplished this is media. The first television network program to feature a homosexual character in an ongoing role was the soap opera One Life to Live in 1992. By 1999, there were 25 sitcoms or daytime dramas with homosexual characters. Without exception, these characters were portrayed as witty, clever, lovable and just a little quirky.
It’s perfectly clear what the Hollywood writers and producers were doing—grinding away at public morality, using comedy as a vehicle to overcome the natural resistance of adults, and playing on the curiosity and credulity of children. By sheer persistence, the gay-friendly media have been forcing Americans to accept homosexuality as a normal and natural choice, whether they believe it or not.
Today, based on the large number of primetime TV shows that currently feature openly gay characters, you have to believe that the most favored and most protected type of sexuality is homosexuality. Over the last decade, overtly pro-gay programs such as Will and Grace, Queer as Folk, Queer Eye for the Straight Guy, The L Word and Glee have been designed to desensitize Americans to the genuine risks of the homosexual agenda. Again, homosexuals are invariably portrayed as funny, sensitive and caring individuals.
At the same time, critics of homosexuality are portrayed as bigoted and ignorant homophobes who have to learn to accept homosexuality as a valid lifestyle choice. Yet behind the scenes, how many people realize that organizations such as the Gay & Lesbian Alliance Against Defamation actually have veto power over many of these scripts and can actually force directors and producers to rewrite dialogue that casts an unflattering light on homosexuals?
